Too Cool For Words
NYC’s Wordless Music Series comes to Portland.
August 20th, 2008
Project X: You Are Here | Hand2Mouth Theatre gets into data analysis.0 comments
August 13th, 2008
Mimesophobia | A little murder (and Web surfing) before he goes.0 comments
July 30th, 2008
Songs (and Strings) of Summer | Recent releases from five local classical and postclassical performers.0 comments
July 23rd, 2008
A Chorus Line (Broadway Across America Portland) | Dancers dish about life on the Line.0 comments
July 16th, 2008
21A (Arts Equity) | There isn’t much to this magic bus.4 comments
July 16th, 2008
Imani Winds and Roberto Sierra | Classical music without the powdered wigs.0 comments
July 9th, 2008
Northwest Professional Dance Project | On the road to success, eight dancers pull over in Portland.0 comments
July 2nd, 2008
WEB Exclusive • Information Station | Tahni Holt's brainchild Information Studio was a remote-controlled icebreaker.1 comment
July 2nd, 2008
Les Misérables (Broadway Rose) | Can you hear the people sing—in Tigard?4 comments
June 18th, 2008
Agnieszka Laska-Dickson String Quartet | A remarkable family band tackles some serious strings.4 comments
![]() STRINGS AND THINGS: Stars of the Lid at Holocene. |
[April 16th, 2008]
Despite corporate music’s attempts to squish creativity into tidy, discrete pigeonholes, the more out-there manifestations of alt rock, free jazz, post-classical avant garde and electronica share overlapping audiences who care more about adventure than category.
That’s the philosophy behind Wordless Music, a not-for-profit concert series in New York City that since 2006 has transgressed genre boundaries by bringing rock, electronic and so-called classical musicians to intimate chamber music spaces. With acts from John Adams to Wilco’s Nels Cline and Glenn Kotche to the American premiere of Radioheadman Jonny Greenwood’s “Popcorn Superhet Receiver,” the series has forged a strong, young audience, selling out 400- to 800-seat venues. Now the series is branching out to other cities, starting with Minneapolis and Portland.
Of course, New York isn’t the only source of this exploration-trumps-genre attitude. San Francisco’s Classical Revolution, for example, takes classical and postclassical music into bars and clubs. One of its members, violist Mattie Kaiser, moved to Portland last year and started Classical Revolution PDX, which now counts more than 30 local members and will perform Shostakovich’s gripping String Quartet No. 8 and Arvo Pärt’s mesmerizing “Spiegel im Spiegel” at the first Portland Wordless Music show at Holocene on Thursday. The concert also stars the inventive Bay Area composer-guitarist-electronic musician-video artist Christopher Willits, and Austin ensemble Stars of the Lid, whose somber, murmuring ambient soundscapes will be accompanied by a string trio and layered 16 mm films by Luke Savisky.
Wordless Music continues the next evening at The Old Church with two ambitious local faves: Eno-influenced ambient wizard Eluvium and always-intrepid new music ensemble Third Angle, who’ll play string quartets by Chinese-American composer Chen Yi (her 1986 “Sprout,” and “Burning,” a response to the Sept. 11 attacks) and by the dean of Portland composers, Tomás Svoboda (a new quartet that reacts to the unprovoked American war on Iraq).
RECENT COMMENTS ON “Too Cool For Words”
This should be a very interesting series. My friend was able to interview some of the artists and has a write up at http://northwestreverb.blogspot.com/2008/04/nycs-wordless-music-project-connects-it....








